| Salsa dancing has become a smashing hit among the | | | | count 1. |
| dancing community as more and more enthusiasts are | | | | 5. The weight now has to get transferred onto that of |
| getting attracted to learn salsa. The intrinsic driving beat | | | | the left foot, without any movement on the part of the |
| that comes along with the music tempts you to make | | | | left foot, for that of count 2. |
| your salsa moves. The passion of the enthusiast | | | | 6. Closing of the right foot to that of the left foot |
| reaches unparalleled heights of fervor, as the dance | | | | should get done, as when count 3 and 4 gets |
| becomes the best form of self-expression. There are | | | | experienced. |
| many salsa styles, but the basic steps are almost the | | | | Timing for the Basic step for Female Partner |
| same for all the types. The differences between the | | | | 1. The female becomes the opposite of the part |
| styles can be spotted in the styling as it also comes in | | | | pertaining to the male. For count 1, the female partner |
| the form of timing pertaining to the steps. When you | | | | will have to make use of the right foot to step back, |
| are keen to know how to salsa dance, knowing about | | | | where the left foot is not disturbed. |
| the timing paves way for better performances. | | | | 2. For count 2, weight gets transferred on to that of |
| What is Timing? | | | | the left foot, without leading to any movements of the |
| The timing related to most salsa styles embrace the | | | | left foot. |
| fashion of quick, followed by quick, which is further | | | | 3. For counts 3 and 4, closing of the right foot to that |
| followed by the slow mode. The quick consumes one | | | | of the left foot will have to be performed by the |
| count pertaining to the music, whereas the slow mode | | | | female partner. |
| consumes two counts pertaining to the music. When | | | | 4. With the help of the left foot, the female dancer has |
| you come across the slow count, the dancer has to | | | | to step forward, where the right foot is not disturbed, |
| hold one count or beat pertaining to the music. | | | | for count 1. |
| While the passion to know how to salsa dance drives | | | | 5. The weight now has to get transferred onto that of |
| you crazy, the footwork pertaining to the basic steps | | | | the right foot, without any movement on the part of |
| for both the male partner and the female partner | | | | the right foot, for that of count 2. |
| becomes one of the essential links to learn salsa tricks | | | | 6. Closing of the left foot to that of the right foot |
| and to become a rocking star on the dance floor. | | | | should get done, as when count 3 and 4 gets |
| Timing for the Basic step for Male Partner | | | | experienced. |
| 1. The footwork related to the basic step for a man | | | | The basic steps invariably remain the same for most |
| comes in the form of a step taken forward, where the | | | | of the salsa styles. Also, salsa necessitates small |
| left foot goes in front, as the right foot is left behind. | | | | steps, which are just about shoulder-width apart, as it |
| This pertains to the count 1. | | | | helps in improving the balance as well as helps in |
| 2. For count 2, the male dancer has to make sure that | | | | enabling easier movements. Salsa, more often than |
| the weight gets transferred to the right foot, without | | | | not, makes use of the open dance position, where the |
| any movement on the part of the right foot. | | | | male and the female partner face each other. |
| 3. For counts 3, 4, closing of the left foot to that of the | | | | If you are passionate to know how to salsa dance, |
| right foot will have to be performed by the male. | | | | knowing about the basic step aids you to move further |
| 4. With the help of the right foot, the male dancer has | | | | and get equipped with the other essentials to make |
| to step back, where the left foot is not disturbed, for | | | | headway to become a recognized salsa dancer. |