| Stella Milano for many years now has been singing | | | | Argentina and more of the sort of music Stella wishes |
| tango classics and bringing something new to her kind | | | | to expose to the world from her native land. |
| of music which is the feminine point of view. It being | | | | Rancheras from Argentina being similar to those from |
| her who makes the case that women are not solely | | | | Mexico in their colorful melodies that depict the folklore |
| responsible for the sorrows of men or at least not as | | | | of rural life while capturing the simple joy of those who |
| is the case in most of the tango standards. Stella | | | | live in the country and along the Andes. It being in |
| Milano believing that women also have their "issues" | | | | these songs so traditional of Argentina that Stella |
| regarding love, romance and the sadness that | | | | Milano exhibits her stupendous voice, so capable of |
| sometimes accompanies the two which she feels | | | | capturing the true soul of the country she so elegantly |
| should be expressed in song by females; who like | | | | represents. "De Contramano" is among the songs |
| herself can speak out for her gender. | | | | Stella Milano has proudly chosen to present to world |
| Stella Milano however breaks away from her norm in | | | | from this genre of music known as "rancheras |
| her latest CD "Tangos Milongas Y Rancheras De Mi | | | | Argentinas" which takes much from Latin waltzes. |
| Pais" as she introduces other forms of music from her | | | | They being merry and delicate as opposed to their |
| native Argentina which come in the form of rancheras | | | | Mexican counterparts which at times speak more of |
| and tangos milangas. These two being very typical of | | | | the hardships of life. |
