Tango Composer Astor Piazzolla Biography

Living in Argentina, Vicente Nonino Piazzolla and Asutafrom their excellence when composing his own music.
Manetti (both of Italian descent) welcomed their sonThat was until he met Nadia Boulanger. She quickly
Astor Piazzolla into this world in the year of 1921. Whilenoticed his own magic and encouraged him to focus
he was born in Argentina, Astor spent most of hison his own style and talent leaving the others to theirs.
early years of life in New York City. This is where hisIn 1955, he organized the Octeto Buenos Aires and
love of music began to bloom. Enjoying Jazz and thebegan playing his own style of tango.
music of J.S. Bach, his love and knowledge of this artAstor Piazzolla is well known in the music world for his
became his passion. His father found a bandoneon in acontributions to the tango. He took elements from jazz
New York pawnshop and purchased it for his youngand classical music, added them to tango and created
son. This seemed to be one of the most significantNuevo tango. As an accomplished composer and
steps in molding the musician that Astor Piazzollabandoneon player, he commonly performed his
became. In addition to his music, he also excelled incompositions adding electronic and acoustic sounds
multiple languages including French, English, Italian andcreating his unique form of music. While this new form
Spanish.of the tango was widely accepted in the United States
Returning to Argentina in 1937, he found tango to beand Europe, Argentina in general showed resistance to
the reigning style of music. Continuing his love ofthis change. Among some of his most notable pieces
playing the bandoneon, he and his various ensemblesare Adios Nonino (written in 1959 in memory of his
performed in a multitude of nightclubs throughoutfather), Libertango (written in 1974 symbolizing his
Argentina. Quickly becoming known as the bestliberation from the traditional tango), Oblivion as well as
bandoneon player in Buenos Aires, Astor PiazzollaMilonga Del Angel. In 1990 he suffered a thrombotic
expanded his musical knowledge by studying underevent that eventually led to his death in Buenos Aires
Alberto Ginastera. Covering a number of composersin 1992.
like Stravinsky, Bartok and Ravel, he began to take